Use Your Illusion

Use Your Illusion | ENS.2016.4 | 7.31.16-12.24.16 | 32’
Soprano, Flute, Clarinet, Piano, Violin, Cello

Midi Rendition of 1. To the Drone Vaguely Realizing Eastward
Midi Rendition of 2. Use Your Illusion
Midi Rendition of 3. The Second Sex
Midi Rendition of 4. Overnight
Midi Rendition of 5. Within a Budding Grove
Midi Rendition of 6. In the Air Tonight
Midi Rendition of 7. Big Country
Midi Rendition of 8. Lose Myself

Download PDF of Score

USE YOUR ILLUSION

Poems by Michael Robbins

My third setting of poems by Michael Robbins, Use Your Illusion attempts to find a musical analogue for Robbins’s brilliantly funny, savage, often religiously-informed, pop-culture-saturated imagery. As in 2014’s Plastic Robbins Band, I use enriched textures such as glissandos, quarter tones, and a variety of extended techniques to destabilize fundamentally tonal, even poppy musical material. References to other composers and songwriters from Arnold Schoenberg to Michael Nyman mirror Robbins’s use of mangled quotations, and the music is often fragmented, as if falling to pieces as it’s being performed.

Just as Robbins’s work often cloaks itself in strict poetic forms, so too does my piece follow systematic formal constraints. Harmonically, Use Your Illusion consists of every possible two-part combination of major and minor triads arranged into an overarching progression. These harmonies are activated by five contrasting textures, each comprising five tiny rhythmic cells.

Although complex precompositional processes were used to determine the order and disposition of all harmonic, rhythmic, and textural elements, these calculations were no more than tools toward the realization of a fundamentally musical concept. The actual composition using these elements was entirely free; only the material’s order and disposition was determined.

In this way Use Your Illusion could be thought of as a series of boxes: these boxes must appear in a particular order, and each box must contain elements x, y, and z, but their appearance, design, and configuration is entirely free. Although all eight movements are made of the same basic twenty-five musical ideas, each song describes its own narrative, its own sound world.

Use Your Illusion was composed between July and December 2016 and lasts a little over half-an-hour.